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Binding: Audio CD
EAN: 0756055603221
Format: Box set
Label: Classic FM
Manufacturer: Classic FM
Number Of Discs: 3
Publisher: Classic FM
Release Date: March 08, 2003
Studio: Classic FM




Disc 1:
  1. Rachmaninov: Symphony No.2 in E minor (3rd movement)
  2. Beethoven: Piano Sonata No.14 in C sharp minor 'Moonlight' (1st movement)
  3. Faure: Cantique de Jean Racine
  4. Elgar: Serenade for strings in E minor
  5. Rodrigo: Fantasia para un gentilhombre (1st movement)
  6. Shostakovich: Piano Concerto No.2 in F (2nd movement)
  7. Grieg: 'Morning' from Peter Gynt Suite No.1
  8. Puccini: 'Humming Chorus' from Madame Butterfly
  9. Bruch: Kol Nidrei
Disc 2:
  1. Mozart: Clarinet Concerto in A (2nd movement)
  2. Bizet: L'Arlesienne Suite No.2 (3rd movement)
  3. Gounod 'Judex' from Mors et Vita
  4. Vivaldi 'Winter' from the Four Seasons (2nd movement)
  5. Elgar: 'Nimrod' from Enigma Variations
  6. Mendelssohn: 'Nocturne' from A Midsummer Night's Dream
  7. Ravel: Pavane pour une infante defunte
  8. Myers: Cavatina
  9. Tallis: Spem in alium
  10. Delius: 'La Calinda' from Koanga
Disc 3:
  1. Williams: Theme from Schindler's list
  2. Barber: Agnus Dei
  3. Beethoven: Symphony No.6 in F 'Pastorale' (2nd movement)
  4. Saint-Saens: 'The Swan'
  5. Rachmaninov: Vocalise, Op.34 No.14
  6. Chopin: Prelude No.15 in D flat - 'Raindrop'
  7. Part: Spiegel im Spiegel
  8. Vaughn Williams: Five Variants of 'Dives and Lazarus'
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Editorial Review:

Amazon.co.uk Review:
This attractive three-CD compilation does exactly what it claims to do--that is, contain more than three hours of relaxing music. Surprisingly, it also includes a few left-field gems in with the usual suspects, thus in addition to Grieg's "Morning" from the Peer Gynt Suite No.1 (smoothly played by the Polish Radio Symphony Orchestra) and "Vocalise" by Rachmaninov (USSR Symphony Orchestra) there are also performances of the much less well-known "La Calinda" from Delius' opera Koanga (Northern Symphonia of England) and Five Variants of "Dives and Lazarus" by Vaughan Williams (Philharmonia Orchestra under Leonard Slatkin). Apart from a few questionable choices (the New Company's wobbly version of Tallis' 40-part motet "Spem in alium") the performances are all fine, and some excellent. The historical range stretches from the renaissance to the present day, and the juxtapositions are generally handled with imagination and sensitivity. Well worth anyone's money. --Warwick Thompson



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